The Meaning of Art

Since ChatGPT burst onto the scene in the Fall of 2022, the concept of "AI art" has bothered me. I couldn't quite understand why, but I knew it rubbed me the wrong way. After much thought, I now understand why I do not consider AI-generated content art.

My fundamental apprehension in AI-generated art isn't the quality – it's that it fails to address the purpose of art. Art speaks to the infinite depths of the human experience, the endless color palette of our emotions, our greatest fears, and our inexhaustible aspirations. Art communicates an idea. The creation of art is often a long journey of self-reflection. Art is as much a cathartic learning experience for the artist as it is an intellectual journey for the viewer. Short-circuiting the creation process with artificial intelligence gives us no more significant insights. We've learned nothing from the process, and our ability to learn and grow from the experience has been taken from us.

Art is a uniquely human experience. When Vladimir Horowitz returned to his home country of Moscow in 1986, it was the 81-year-old pianist's first recital in the Soviet Union since he left his homeland 61 years ago to make a career in the West. He was well past his prime, yet many in the audience cried unabashedly during portions of the recital. Horowitz returned on stage for six curtain calls after he had played three encores. Listen to his interpretation of Liszt's Deuxième Année V; Sonnette 104 del Petarca or Scriabin's Etude Op. 8, No. 10. It is the sound of a man who has lived a full life, who is openly struggling in front of the audience, proof that youth is an aberration and wisdom only comes with time. Unfortunately, that hard-earned wisdom almost always comes too late to be fully realized by unencumbered virtuosity. This performance is a reflection of the complexities and ironies of life. It has taken on a deeper meaning than the notes on the page.

Wladyslaw Szpilman spent the last 56 years of his life without family after they were all murdered by Nazis in World War II. Though a simple piece, Chopin's Nocturne C sharp-minor takes on a haunting, melancholy atmosphere under Mr. Szpilman's fingers.

These small fragments of beauty, sparkling against the dark backdrop of an otherwise ugly world, can never be replicated by artificial intelligence. Art is a uniquely human celebration of ambition, resilience, and creativity that artificial intelligence can never match.

A Fall Ballade

As the leaves whispered their seasonal melody, Henry walked through the winding trail of the park. The mature trees, majestic in their fiery Fall attire, framed the sky, a soft canvas of gray and fading blues.

With a sigh of resignation, Henry slowly lowered himself onto a familiar park bench, its paint peeling and wood softened by time, overlooking the park. The nearby lake, a mirror to the sky, reflected the melancholy of the clouds and the brilliance of the autumn trees surrounding it. He sat, feeling the coolness of the metal touch his hands, and closed his eyes, consumed by the music of the wind and leaves.

The park was busy with families today. Children tossed leaves into the air, their laughter mingling with the sounds of the season. Henry watched a young father hoisting his daughter onto his shoulders, her small hands gleefully crushing the dry leaves. The scene mirrored one of Henry's own cherished memories, when he had done the same with his son decades ago.

The rustling of the leaves became music—a fall ballade. The leaves whispered their seasonal tune, ablaze with rich hues of oranges, reds, and yellows, dancing gently in the brisk October wind. Each rustle was a note, each breeze a melody. The autumnal symphony allowed his mind to wander.

In the solitude of that moment, he was engulfed by the weight of his unfulfilled dreams, slipping through his fingers like the sand of time itself. His mind raced back to his youth, a time of boundless aspirations. He had yearned to be an artist, to capture the world's essence with the same poetry as the autumn leaves dancing in the breeze. But life, in its pragmatic ways, led him down a different path. Business, a sensible choice for an ambitious young man, but his palette and brushes, once his tools of expression, were now mere relics in the attic, gathering dust and regrets.

He reminisced about the days when he would sit by the lake, a sketchbook in his lap, trying to capture the fleeting beauty of the seasons. Now, those conversations with nature and art had gone silent. Opening his eyes, he looked down at his hands, now marked by years of work but idle in the craft they once loved. As the wind picked up, the ballade became louder, a stark reminder of the passion that had faded. Henry took a deep breath and gently closed his eyes, a sense of resignation washing over him.

Memories of his small, cramped apartment, where his early ambitions had flourished, flooded Henry's mind. The art supplies that once adorned his dining room table, symbols of his creative aspirations, had transformed into reminders of financial struggles, unfulfilled potential, and frustration. The pressure to provide for his budding family had pulled him away from his passion, steering him toward the stability of a career in finance.

The loss of Eliza was a wound that time had dulled but never fully healed. Their parting had been amicable on the surface but fraught with unspoken resentments and quiet despair beneath. Henry could still picture her tear-streaked face on the day they said goodbye, her own unique dreams pulling her across the ocean. At the same time, his fears anchored him to a life of routine and responsibility. The 'what ifs' haunted him: What if he had been braver? What if he had followed her? Though more successful than he could have imagined, his career was marred with moral compromises that ate at him during the quiet times, when the wind calmed.

His relationship with his son, though loving, carried its own weight of regrets. Work had often kept him away from important milestones, replacing what should have been afternoons at the park or evenings at school plays with phone calls and hurried meals. His son had never voiced his feelings of neglect; he was always understanding and forgiving. But Henry couldn't help but wonder about the emotional distance that might have been avoided had he only prioritized differently.

Henry's eyes fluttered open, as if awakening from a long-held dream. He gazed out at the lake, the autumn leaves swirling across its surface, and wondered how many such moments he had lost in the relentless rush of life. The joy of simple pleasures, of unhurried hours with those who mattered most, had slipped away like the fallen leaves drifting on the water. He watched a couple wander past, arms entwined, and the memory of Eliza's laughter echoed in his ears as they strolled this very path, sharing dreams and planning for a future that would never come.

The wind picked up again, rattling the branches above and scattering a shower of leaves around him. The children playing nearby shrieked in delight as they dodged and weaved through the flurry, their parents watching with indulgent smiles. Henry couldn't help but smile, but like most of his life, a twinge of sorrow accompanied the joy. How long had it been since he had played like that, carefree and unfettered by worries?

He shifted on the bench, and his coat rustled against something cold. Looking down, he noticed the metal railing by the path, where he used to lean while sketching the ducks and geese floating on the water. Those sketches had been simple but vivid, capturing not only the birds but the play of light on the rippling lake and the shadowed reflections of the trees. How long had it been since he held a pencil for anything other than signing a contract or approving a budget?

A shiver ran through him, but not from the cold. He reached into his pocket and pulled out a small, battered notebook, a relic from decades past. The pages were yellowed and brittle, the binding frayed from use. He flipped through it, glancing at the sketches he had once thought would lead to a career in art: rough studies of his son's face, studies of the park, and several sketches of Eliza smiling or laughing. A tear welled up and fell onto the page, smudging a drawing of Eliza's eyes.

He took a deep breath and wondered if it was too late to recapture that creative spirit and embrace the dreams he had buried. From across the lake, he noticed a young woman setting up an easel, carefully arranging her paints and canvas. Henry watched her for a while, envious of her dedication, and realized that her determination had once been his own.

He took a deep breath, his chest filling with the crisp fall air, and closed his eyes again. The melodies of the wind, the rustling leaves, and the playful laughter of children created a lullaby that wrapped around him like a warm blanket. His memories of the past danced before him, as vibrant and alive as the leaves swirling in the air.

The sketches in his notebook slipped from his lap, their yellowed pages fluttering open on the ground, dancing among the leaves. The notebook lay still, revealing the tender sketches of Eliza and his son, their smiles timeless and full of joy.

The wind grew gentler, the leaves swaying in rhythm, and the sun peeked through the clouds, casting long shadows across the park. The rustling of the trees faded into a gentle hush as the day slowly settled into twilight.

Families gathered their children, the young woman packed up her easel, and the park gradually quieted, leaving the bench empty except for Henry and the echo of his dreams.

In the fading light, the lake reflected the trees' fiery hues and the setting sun's soft glow. There, on the bench, Henry rested with his head gently leaning against the peeling wood. The crisp twilight air brushed against his still form, yet he remained motionless, a peaceful smile lingering on his lips as he sat, tranquil and at rest.

The Score and the Performance

The negative is the score, and the print the performance.
— Ansel Adams

Photography isn’t just about capturing an event – it is a visual communication medium. The concept of photo editing has gained an increasingly negative reputation as digital editing software became powerful and ubiquitous in the last decade. It has now sparked fascination and controversy as we step into a new era of computational photography and AI manipulation. A novice can now do what used to take great skill and time to accomplish in minutes. These technologies can be a force of progress by opening new creative avenues to express ideas, but an overemphasis on them can cause the artistic message to be lost. In extreme scenarios, photography can become digital art, no longer bearing any similarity to the original image.

An Artistic Parallel

Drawing a parallel to the concept of rubato in music, where subtle deviations from strict tempo create a more expressive and emotional performance, photographers must exercise a careful balance in their editing decisions. Just as a musician must be mindful not to stretch the tempo too far, photographers should avoid excessive alterations that compromise the authenticity of their work. The key is to use manipulation as a means to enhance, not overshadow, the inherent beauty of the captured moment.

As with any art form, the key lies in the delicate balance between creative freedom and a respectful acknowledgment of the authenticity inherent in the captured moment.

An Example

Discussing nuanced topics in the abstract is often convenient, but a concrete example can often express the thought more clearly. The image on the left (or on top, for mobile readers) is a straight print of a local building. Aside from the lack of color, it’s a literal representation of the light projected through the lens. The second image is my finished print. The darkened sky draws the viewer’s eye toward the advertisement painted on the brick and adds overall contrast, creating a sense of drama in an otherwise mundane subject. A gentle lift of the shadows on the front of the building helps to reveal more painted brick. I did not lift the shadows on the lower side of the building to retain negative space, reinforcing the idea that the subject is not the entire building but the old advertisement. None of these adjustments fundamentally change the image – they merely serve to draw emphasis and guide the viewer’s eye to where I wanted it.